Monday, April 30, 2012

Last Day Spring 2012: Notes, Vids

"Third Stream" - combining "Classical" and "Jazz"

  [is this jazz? is it classical? is it both?]

Dave Brubeck Quartet & RNO
To Hope! A Celebration Mass Moscow 1997

http://youtu.be/r2FNC66gBJ8



Jimmy Giuffre -- Suspensions (Gunther Schuller Orchestra) 1957 



In the album liner notes, Schuller, both a composer and a critic, discusses such 'third-stream music'-- a term he popularized, perhaps invented-- while avoiding the application of that, or any, label for the "intermingling of influences in the jazz and nonjazz [ie, classical] fields". He asks rhetorically, "[I]s this still jazz, and is the intermarriage of two separate kinds of music valid?" The ultimate answer is the listener's reaction. About Giuffre's composition specifically, Schuller writes-- "'Suspensions' is another one of Jimmy Giuffre's attempts to compose and notate, as exactly as our inadequate musical notation will permit, music that represents his particular viewpoint on the jazz and blues feeling. In this respect, the present work is an extension of the kind of thing Giuffre has been doing for some years with his own small groups. In 'Suspensions' he has also once more used percussion, not as a rhythmic foundation and backdrop, but as an integral melodic voice [hear The Jimmy Giuffre Four, 1955, 'Tangents In Jazz', Capitol LP T634] within his contrapuntal structure. Giuffre also attempted to write for the players in an individual manner 'with which they can express themselves as they would in a solo'-- to quote Giuffre from his own notes for the Brandeis concert-- which partially explains why there is no improvisation in this work." 


Latin Jazz

Timba Latin Jazz Quintet - Descarga Cachao - Roma AlFellini 2008



Chicago Latin Jazz Festival - James Sanders & Conjunto 


 http://www.youtube.com/watch?v=eqhzjBYt7Dg
  

Free Jazz 


Fusion

Herbie Hancock - Cantelope Island 




Vocalese

Manhattan Transfer



The original recording:

http://youtu.be/5rm0kbF2XbE

 

Last notes

If you weren't in class, you missed the study suggestions for the final exam! 


Make sure you doublecheck the grades posted in webCT - contact me BEFORE THE FINAL EXAM if there are problems, particularly with the presentation grade and the absences.

Sunday, April 29, 2012

Check your grades in webCT!

I've updated my record of absences, presentation grades, and concert reports - so what is on the screen is exactly what I have on paper.


CHECK YOUR SCORES - and if there is a problem let me know BEFORE the final exam.


Friday, April 20, 2012

Music should be free?

I referenced this in class Wednesday - there is a huge "movement' that says no one can own anything intangible, that all art should be free to consume, etc etc etc. I think my position is clear on this matter [I hope so!!!] - but here is a MUCH more entertaining presentation of why music SHOULDN'T "be free"....and why that isn't a sustainable position for a society and it's art.

 The article: [read it first - or at least scan it]

http://www.philipbrocoum.com/?p=601

The rebuttal:

http://youtu.be/EwAiLICevc4



Grades, Test scores, and misc. stuff

1) Test Scores are posted.

2) I am CURVING this test. (Don't get used to it, though!) In the spreadsheet where you are keeping track of your scores, INSTEAD of setting this test worth 92 points, make it worth 82 points.

3) The gradebook will be updated by the time you read this with current attendance, concert report grades, and presentation grades.

3) Next week: JAZZ. This will be outside the book, mostly. I strongly suggest you take notes. It WILL be on the final exam.




Here is everyone's comments - an interesting panoply of opinions!

What was most surprising about the 20th C music to you?

Kind of strange how the first half, everything sounded so distorted and uncomfortable, and then near the end people got sick of it (thank God) and went back to tonality. It's almost like it was two different eras.

It surprises me that 20 Century music hasn't gone out of style. You still hear it today in commercials, on the radio, and in movies; sort of multi purpose.

There seemed to be such a huge step apart from "classical" sounding compositions.

It jumped quickly to change.

The odd sounds that they considered to be "music" no matter how dissonant they sounded!!
 
How atonal and dissonant it was. I was thinking it would be more similar to the late 20th Century music.

The Most Interesting would be the fact that it so different and open ! There is true expression and none sounds alike I love this era !

I was surprised by the fact that it didn't sound pretty. All of the music that I listen to sounds good, some of the 20th Century just sounded like noise to me.
 

Where a lot of songs I have heard before came from.

The sharp sounds, the music that sounded like it was from a sci fi movie or slasher flick.

Nothing really.

How there were so many sounds involved. Also how quickly the technology developed. And what was surprising they was how they still didn't use the sound effects that much until later on.
 
The way in which they just changed from the norm of every other era of music. The completely overhauled the system just because they could. I was shocked at how they changed sounds by destroying a perfectly good piano, or how they flipped scales to make more of a certain tone. everything dealing with the 20th C shocked me, because I was expecting more of a gradual step to modern music.

Having the different sounds and how it was all structured surprised me. I thought some of it was sort of weird but as i focused more on it all they wanted was something new that can fit in the music

The most surprising part of the 20th C music to me was, that I’m surrounded by it in everyday life and never realized how weird and different it sounds. 20th C music has taken music to greater standards of music.

Most surprising about the 20th C music is the prepared piano. How could composers just stick any and everything they got their hands on and insert it into the piano. To me it's disrespectful to a pianist to tamper with the sound but I also can understand that they were trying out new ways to change sound like no other composer before them have attempted to try. Composers in the 20th C were bold and I applaud them for that.

How much I wanted to go back to Classical music. The listening had been improving consistently up until Romantic and 20th century, I didn't like it so I listened to the pieces a lot less. It surprises me that people would pay to listen to this stuff.

personally, it wasn't very surprising to me. I guess living in the 20th century and 21st century exposes me to many of the different techniques and styles used in early 20th century music

I was surprised at how much music was out there that I didn't particularly care for. I am a lover of music, and I'm up for giving anything a try, but this music was hard for me to take at time. I did love the Jazz portion of 20th century music, but all of the atonal, dissonant, crazy music that was all over the place (particularly Schoenberg's) was not music to my ears at all. Other than that I was surprised to learn how wide of a variety of music there was. I consider myself to be pretty well rounded when it comes to instrumental music, but there was a lot of stuff I had never heard of that we listened to for this unit.
 

Wednesday, April 11, 2012

UPDATE: MONDAY'S TEST

  1. PSC255 [down the hall from where we took the last test]
  2. BRING HEADPHONES/EARBUDS - there may not be any extras available.
  3. Ms. Rebecca Lanning will be the proctor - she is the head of the music department, a phenomenal musician, and a really good person to know!
  4. Listening: there will be 18 listening items - make sure you can tell which era each item is from [Romantic or 20th C].
  5. Know any of the composers yet?




In Other News.........something to look up before the weekend starts, strictly for the "wow" factor:
http://createdigitalmusic.com/2012/04/kinect-controlled-4-story-pipe-organ-a-phantom-of-the-organist/

Now, that's seriously mixing time eras!



...and just because it's fun:

Record-Breaking Rube Goldberg Machine Pops Balloon in 300 Steps



Have a weekend, don't forget the headphones, and I'll see you next Wednesday!
l“Talk Radio” by Daniel Linz
lLots of samples triggered together, lots of phonemes + drums. Interesting structure. Familiar harmonies, yet not…… Mix of consonance and dissonance. Melodies, but has stretches where it’s just sound. 

Stockhausen: Hymnen [electronic music]

 



 The Theremin piece is at

Modular Synth piece

Modded Pianos Delight Indie Audiences, Classical Buffs

http://www.wired.com/listening_post/2008/12/hauschkas-modde/


4

Monday, April 09, 2012